The anticipation of pregnancy is often described as one of the most amazing, life-affirming experiences in the world. Expecting parents spend months immersed in a unique state of excited preparation, dreaming of the wonderful moments and profound love that will accompany the arrival of their new bundle. The purchase and assembly of the baby’s furniture, particularly the crib or bassinet, becomes a sacred, tangible expression of this hope—a physical container for future joy.

For Valerie Watts, this journey of hopeful anticipation was violently shattered. She expected to see her baby’s face, but her happiness and all the powerful, surging emotions of her preparation were dashed when she gave birth to a stillborn child. Her pregnancy had been progressing well, a period of typical, comforting routine, until it unexpectedly and tragically changed.
Watts recounted the terrifying final days: “I had known all week,” she expressed, recalling the instinctive sense that something was wrong. “He was less engaged than usual. I was extremely tense.” The doctors confirmed her worst fear: Baby Noah’s umbilical cord had become crushed while in the womb, cutting off the vital lifeline and tragically causing him to die.
I. The Weight of Grief and the Anchor of Pain
The immediate aftermath of stillbirth is a unique psychological landscape defined by profound, agonizing grief and a crushing sense of emptiness. Watts was naturally unable to overcome her anguish. For grieving parents, physical objects associated with the lost child—gifts, clothes, and especially the bassinet—become both anchors of pain and sacred, untouchable reminders of the love that never found its life.
The Bassinet as a Memorial
Watts initially refused to part with the crib she had purchased for her son. Keeping it at home, though it served as a stark reminder of the sorrow that had struck her, also acted as a private, tangible memorial to Baby Noah. This refusal to let go is a recognized stage of grief, where holding onto physical items provides a bridge to the person who is no longer present. The bassinet was a repository of unfulfilled dreams—a sacred object too painful to use, yet too meaningful to discard.
However, the persistent presence of the unused crib eventually became unbearable, a constant, silent accusation of loss in the corner of the room. The pain of seeing the empty crib finally surpassed the comfort of its presence. Watts decided, with deep reluctance, that she needed to clear space and begin the excruciating process of moving forward. She put the bassinet out during a garage sale.
The Reluctant Sale
It was at this vulnerable, complex moment that a local man, Gerald Kumpula, entered the scene. Kumpula resided close to Cokato, Minnesota, and maintained a small workshop outside of town. He came across the bassinet at the Watts family garage sale.
Watts admitted her hesitation: “I was a little hesitant,” she recalled. She found herself caught between the need to sell it and the profound emotional attachment she still held. Kumpula, initially unaware of the bassinet’s devastating history, found the item and, even though it wasn’t explicitly marked down, found the listed price of $2 (or possibly $12, depending on reports, but the price was clearly low and undervalued) to be a steal for the quality of the wood.
The interaction was awkward and fraught with unspoken emotion. Watts recalled: “I hesitated when he asked me if I was selling that, that he manufactured benches.” Kumpula’s intent was purely practical: he needed wood for his workshop projects.
The sale was brief. Kumpula paid the nominal fee and took the wood away, believing he had simply acquired some raw materials. Watts returned to her home, feeling the dual pangs of loss and the final severance of a painful memory.
II. The Unveiling: Empathy in Action
The crucial, emotional turning point occurred a few days later, involving Kumpula’s wife. Since Kumpula had no idea of the crib’s past, it was his wife who unknowingly initiated the moment of profound empathy.
The Discovery of the Tragedy
Kumpula’s wife, seeing the baby clothes and other items at the garage sale, asked Watts a simple, devastating question: “How old is your son?” Watts was forced to share the heartbreaking truth: Baby Noah had been stillborn.
Upon returning home and relating the story to her husband, Kumpula immediately understood the gravity of the transaction. He realized he had purchased not just wood, but a monument to a family’s grief. The couple, understanding the immense pain associated with the object, knew they could not simply use the materials for a generic bench. They decided to honor the memory of the child and transform the object of pain into a vessel of comfort.
The Transformation
Gerald Kumpula, a craftsman whose tools were typically used for commercial projects, poured his empathy and skill into a deeply personal, unsolicited project. He gave the bassinet a complete, meticulous facelift and transformation in his workshop. He disassembled the bassinet, keeping the structural integrity, and carefully reassembled the wood into a piece of custom furniture.
A week later, Kumpula and his wife returned to the Watts family home. He didn’t come to haggle or apologize; he came to return the transformed object.
Watts’ immediate reaction was visceral and overwhelming: “I began crying right away.”
The crib was gone. In its place stood a beautiful, sturdy wooden bench. Constructed entirely from the wood of Baby Noah’s bassinet, the bench was not just a seat; it was a permanent, functional piece of furniture. It offered comfort and stability, serving as a reminder of the love they held for Noah, now transformed from the symbol of emptiness into a powerful symbol of enduring memory and hope.
III. The True Meaning of the Gift

Kumpula’s act of spontaneous, radical empathy fundamentally changed the meaning of the bassinet for the bereaved parents.
From Pain to Solace
The original bassinet represented pain, unfulfilled promises, and the trauma of stillbirth. Kumpula’s bench represented solace, understanding, and the active transformation of grief. It allowed the Watts family to keep the wood, the material reminder of their son, in a form that could be used, touched, and integrated into their daily life without the constant psychological pain of seeing an empty crib.
The piece itself was a permanent reminder of the better days past—the anticipation of the pregnancy—now preserved by a stranger’s profound act of kindness. The bench became a symbol of the community’s acknowledgment of Noah’s existence and their shared capacity for human compassion.
A Profound Lesson in Empathy
The story of Valerie Watts and Gerald Kumpula is a powerful reminder that sometimes the most valuable gifts are not monetary. The bassinet was sold for $2, but its return as a bench was priceless. Kumpula’s willingness to invest his time, talent, and emotional energy into a complete stranger’s grief exemplifies the highest form of empathy—the ability to recognize another person’s pain and take action to alleviate it, even when you have no obligation to do so. The simple, selfless act of turning a symbol of sorrow into a vessel of enduring memory offered a final, unexpected chapter to Baby Noah’s short story, providing a measure of peace that no amount of money could have purchased.
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